Monuments on Hemkuta Hill

India is a country, rich in cultural heritage with hundreds of ancient archaeological sites – each with its own mythical stories. The monuments on Hemakuta Hill in Hampi is one such cluster of ancient temples, archways and pavilions with local folklore spread over centuries.

Hampi’s claim to fame began when it became the capital of the Vijayanagara empire. However these temples on the Hemakuta Hill are among the oldest cluster of shrines in Hampi, preceding even the Vijayanagara reign.

The hill is located on the southern side of the Virupaksha temple, identified quite easily by the slopes dotted with a number of abandoned monuments. When the revered Virupaksha temple was still in its infancy, this hill used to be occupied by Shaivas, devotees of Shiva, who would come from far away parts of South India to pay respects.

You can access the hill via two opposite routes. The first path is just beside the Virupaksha temple’s main entrance. From there, if you are facing Virupaksha, take the left alley up the hill. I chose this route since it was closer to the parking lot.

Otherwise if you already near the Balkrishna Temple, you can take the series of steps up the hill, through the twin storied archway located near the Sasivekalu Ganesha shrine.

History of the monuments on Hemkuta Hill

There are more than 30 structures on the Hemakuta hill that belong to both, pre-Vijayanagara as well as Vijayanagara periods. Celebrated in history, rooted in myths and now a tumbled mass of magnificent residues of an empire, Hampi is probably the most renowned medieval Hindu metropolis in the history of the Deccan plateau. As the capital city of the Vijayanagara Empire, from the 14th to 16th century, it was unparalleled in wealth as well in culture in its time.

The monuments spread across the face of the hill are centuries old and represent a historical era of art and culture. The hill also contains as many boulders as temples.

These boulders date back to more than 3 billion years and are believed to be the earliest solidified rock on the planet. From where I stood, the hill appears to be a canvas of stones.

Mythology associated with Hemakuta Hill

Most of the Hemakuta monuments are dedicated to Lord Shiva. According to local folklore, Pampa, a local girl, performed intense penance on Hemakuta Hill, aspiring to marry Lord Shiva. The Stala Purana and the Pampa Mahatme both support this myth. Seeing her intense devotion, Shiva eventually consented to marry her. People say it rained gold on the hill thereafter. Since then this hill came to be known as Hemakuta which loosely translates into the “hill of gold”.

With time, Hemakuta Hill came to be deeply associated with Lord Shiva and many temples were built on the hill to worship this fascinating deity of the Hindu Trinity.

Architecture of Monuments on Hemakuta Hill

The architecture of the temples on the Hemakuta Hill is quite different from the typical Vijayanagara style of architecture found in many other temples in Hampi. The Hemakuta group of temples have a distinct style of their own.

The first marked difference you will see is the lack of carvings on the pillars. If you have been to Vitthala or any other temple commissioned by the Vijayanagar kings, you cannot miss the intricate Yali carvings and decorations on the columns that support the roof. None of the monuments on Hemkuta carry this trademark style.

The early 14th century temples on Hemakuta hill built during the rule of Harihara Raya I, incorporates the distinctive stepped Kadamba style.

These are the largest and most elaborately decorated temples, situated on the northern side of the hill and face the Virupaksha temple compound. Below is a view from the inside of the temple looking towards the Virupaksha Temple compound.

On the top of the hill lies the Mula Virupaksha Temple, considered by historians to be the original Shiva temple, before the grand Virupaksha temple was built at the base of the hill. Though not as grand as the one built by the Vijayanagara rulers, the Mula Virupaksha Temple represents a style of architecture that was popular before the Vijayanagara style came into being.

There are several other monuments in this area that are built in the pre-Vijayanagara style of architecture.

In the ancient times the whole hill was fortified with stone walls and one could enter the area only using the two gates at each end. Once you each the top of the hill you will find it is almost flat providing the perfect base for temples. There is also a natural pond formation making it perfect for the temple.

Near the Mula Virupaksha temple lies a granite rock with the carvings of the characters from Ramayana. Ramayana plays an important part in the mythological aspect of Hampi. You can read more about it in my journal on Kishkindha.

Afternoons at Hemkuta Hill

The gentle morning light grew into a bright day. The skies turned a vivid blue. In all my visits to the ancient city, I have never seen it more blue before.

The age old boulders were lit up in the golden Sun and looking for attention.

As I hiked down from the other side, I passed by the one of the prominent monuments, that of Sasivekalu Ganesha at the foot of Hemkuta Hill.

It was late in the afternoon. The Sun was harsh, so I left for the hotel.

Evenings at Hemkuta

After a fulfilling lunch at Clark’s Inn, I was back at the hill in the evening. This time I used the entry from Sasivekalu Ganesha side of the hill. Dusk had begun to kick in.

Among the Hemakuta monuments, most are in total ruins. Once home to half a million people, Hampi was ransacked in 1565 by the armies of the Bahamani sultanates. For hundreds of years, the City of Victory lay abandoned until it was rediscovered by the British in the 19th century.

The hike is pretty easy in a few minutes and I was up at the top of the hill.

Some of the temples that had escaped destruction during the Mughal invasions have suffered damage from the wear and tear of weather. I truly appreciate the efforts of The Archaeological Survey of India in its continued efforts to renovate these temples and bring back their lost glory.

The beauty of the ancient temples and the relative calm of the place make it an amazing place to spend some peaceful moments on the hilltop.

We waited at the summit for the sun to set. Hemakuta Hill is one among the best places in Hampi to see the sunset but not as tedious to reach the top when compared to Matanga Hill nearby, which is considered as the best location to watch sunset in Hampi. It was touching 6 pm. The security guard made us promise that we would leave in 10 minutes and went his way.

Today the sprawling beauty, a world heritage site of ancient monuments scattered across a landscape of enormous granite boulders, pulls in hundreds of visitors every year from around the world. After relishing the beautiful sunset we were on our way back to the hotel.

VISITOR INFORMATION

The Hemkuta hill area remains open throughout the day and night. But guards will probably heckle to leave at 6 pm.

No tickets are required to access the site.

Thanks for reading. Please leave me a comment if you liked the post or follow these connected stories of my visit to the mythical monkey kingdom of Kishkindha from the epic tale of Ramayana or take a virtual walk with me to the iconic Vitthala Temple.

Shades of Virupaksha Temple

This was my third visit to Hampi, but the first time that I drove myself to the historical city. Hampi sits on the banks of the Tungabhadra river in the ruins of the ancient city of Vijayanagar, capital of the once flourishing Vijayanagara empire.

The road to Hampi is pretty straightforward. I took the NH48 from Bangalore and then slid into NH50 near Chitradurga. The NH50 is under major repairs but its still faster than any alternative routes.

On the way we passed the Tungabhadra reservoir. The national highway leads directly to the town of Hospet, from where we drove into Kamlapur, where our hotel was located.

Clark’s Inn

We were staying at Clark’s Inn for the duration of our stay in Hampi. Even though we had an amazing time at the Hyatt Hampi in 2014, I reserved this hotel mainly because I wanted to stay closer to the UNESCO site. Staying at Clark’s Inn reduced my travel time to reach the ancient monuments from 40 minutes to just over 10 mins.

Clark’s Inn is a decent place to put up for a few days. The food is nice and the staff hospitable. They also have a small swimming pool. But the parking is a bit of a concern since it lies in the basement and the lane leading to it is quite narrow. On the bright side, they do however have valet services to help out visitors.

History of Virupaksha Temple

Like I mentioned before, I have been to Hampi multiple times but this time I came with the sole purpose of capturing the iconic Virupaksha temple (храм вирупакша) at different times of the day.

While discussing the monuments at Hampi, the first thing that comes to mind is the contribution of the Vijaynagara Empire. However the Virupaksha – Pampa sanctuary existed well before the Vijayanagara capital was located here.

Virupaksha Temple has been a most prominent center of pilgrimage at Hampi for centuries with earliest records dating from 689 CE when it was known as Pampa Tirtha after the local river God Pampa. The temple is fully intact among the surrounding ruins and is the only active temple in all of Hampi. The temple is dedicated to Lord Shiva, known here as Virupaksha.

The shrine dedicated to Shiva was established on the banks of the Pampa (Tungabhadra) river sometime in the 7th century, thus making it older than a thousand years. It is debatable whether the initial temple was actually the structure that is still on top of the Hemkuta Hill known as Mula Virupaksha Temple. By logic it should, since temples are generally created on the top of hills. By the mid 7th century the temple had already become a revered Saiva pilgrimage with the Saivas taking up settlement on the Hemkuta hill just beside the temple.

In those times Hampi was known by the name Pampakshetra. It is not clear when but the growing popularity of the temple might have resulted in the creating of the larger Virupaksha Temple near the banks pf the river Pampa (Tungabhadra).

The mythology surrounding Virupaksha Temple

The Tungabhadra river of today was in ancient times known as the river Pampa. The Skanda Purana mentions Pampakshetra as saktipitha, describing it as the abode of the goddess Pampa otherwise referred to as Parvati. According to local myth, Pampa, the daughter of Brahma, mortified herself here to gain the hand of the Lord Shiva. Multiple references to Pampakshetra can be found in records between the 7th to 14th century, overlooking the banks of the Tungabhadra, which currently include Hampi and Anegundi. Several inscriptions can also be found at the temple itself dating back to the 9th and 10th centuries. 

Time passed and what started as a small shrine grew into a large complex under the Vijayanagara rulers. Domingos Paes (1520–22 AD) whose records provide valuable inputs into life during the Vijaynagara reign mentions that inspite of the numerous temples in the vicinity, Virupaksha temple was the one which the people held most veneration for.

The Vijayanagara rulers, in the middle of the 14th century, initiated the blossoming of native art and culture in the region. Though most of the temple buildings are attributed to the Vijayanagara period, there is ample evidence indicating to additions that were made to the temple in the late Chalukyan and Hoysala periods. When they were defeated by Deccan Sultunate in the 16th century, most of the wonderful decorative structures and creations were systematically destroyed. However they were not able to destroy the religious sect of Virupaksha-Pampa. Even after the anhilation of the city in 1565, worship of Shiva persisted throughout the years and continues even today.

Breaking dawn at Virupaksha Temple

On my first day in Hampi, I woke up at break of dawn and drove down to the temple. By the time I reached the parking lot near the temple the sky was already glowing in blue and the stars were beginning to fade away. The parking was mostly deserted.

One of the best spots to catch the sunrise is from the Hemkuta Hill. Its an easy hike up towards the western side of the hill. By the time I took my position on the Hemkuta hill, the Sun was ready to cast its blessings on Hampi and I was ready with my tripod to capture its glory.

I set up my composition on the main gopura, which is the most ornate structure of the temple. The main gopura or temple tower is called the hiriyagopura or the chief tower. It has a brick superstructure and a stone base. Supervised by Devaraya’s minister Proluganti Tippa, the nine-tiered eastern gateway is the largest of the gopuras raised by the Vijayanagara kings.

Light changes pretty fast in these moments and within minutes the gopura was flooded with light from the Sun.

Daytime at Virupaksha Temple

By afternoon the sky had changed to a brilliant blue. The devotees were streaming in. Being a weekday, it was comparatively less than the crowds on weekends.

At present, the main temple consists of a sanctum, three ante chambers, a pillared hall and an open pillared hall. It is decorated with delicately carved pillars. The smaller eastern gateway leads to the inner court with its numerous smaller shrines. The hall of the main temple is believed to have built under the patronage of Saluvamantri, a minister of Sangama Mallikarjuna (1447–1465 AD).

Another gopuram towards north known as the Kanakagiri gopura, leads to a small enclosure with subsidiary shrines and eventually to the river Tungabhadra.

Krishnadevaraya, the most famous kings of the Vijayanagara Empire was a major patron of this temple. The most ornate of all structures in the temple, the central pillared hall is believed to be his addition to this temple. So is the gateway tower giving access to the inner courtyard of the temple.

It is recorded that Krishnadevaraya commissioned the open air hall in 1510 AD to mark his accession. Inscriptions on a stone plaque installed next to the pillared hall explain his contribution to the temple.

Nights at Virupaksha Temple

Sun is strong in Hampi. Evenings brought relief to my parched body. It also brought with it a magical glow to the surroundings. The sky went all red for a moment. The guard wouldn’t allow me to set up my tripod so I took this handheld.

After this we walked out of the fenced area where I set up my tripod to capture the one below. By that time the sun had already set but it left behind a beautiful blue sky.

After catching the temple at sunset, I made my way towards the wide street in front of Virupaksha, situated between the eastern gate of Virupaksha and the northwestern foot of the Matanga hill. Domingos Paes describes it as – a very beautiful street with beautiful houses with balconies and arcades, sheltering pilgrims that come to it, and with houses for the upper classes. He also mentions that the king too had a palatial residence in the same street.

Festivals at Virupaksha

In the month of February the annual chariot festival is celebrated here. Nicolo Conti, the first European visitor to Vijayanagara (1420–1421 AD), refers to two chariots which carried idols through the city. Richly adorned women or courtesans accompanied the procession stinging hymns in praise of the lord. Poet Ahobala, the author of Vasantotsava Champu, also refers to the two chariots: one taken out by the Brahmins and the other by the merchants or shudras.

Interestingly, the Virupaksha chariot festival has been continued ever since it was introduced in the fourteenth century and neither the fall of the empire nor the destruction of the capital in 1565 AD seems to have affected its popularity or practice. To date, the largest gathering at Hampi is witnessed during the chariot festival of Virupaksha held every year in March/April as per the local calendar.

Renovations

There have been major renovations which included painting the towers of the north and east gopura. When I was here a few years back the gopura were in white but I see a beige paint now. It is also heartening to see that ASI has stayed away from applying plasters to stone carvings like they did at Kailashanthar temple in Kanchipuram, which actually makes them look ugly.

I leave you with the last image of the day: Virupaksha captured from the steps of Matanga Hill at night.

Thanks for reading. Please leave me a comment if you liked the post or follow my story as I revisit the monuments on Hemkuta Hill.

Sunrise at White Rann

I am back again at the zero point of Rann of Kutch and I cannot decided if I am disappointed or enthralled. The sea water has moved back into the salt mud-lands dissolving all the white salt. The visuals have changed completely from a couple of days before when I came here at sunset.

The landscape appears more like as if I am standing on the shores of the sea as I wait for the sun to rise. Only, the sea isn’t a mass of blue or for that matter green. Its is white!

Only a handful of people have made it to the sunrise. I am guessing to much festivities of last night when a popular Indian actress, Vidya Balan suddenly made her appearance at the Rann Utsav.

Towards the western side, the moon rides slowly into oblivion, but no one is interested. Everyone’s gaze are towards the purple sky that has already started to change colors every minute.

A huge three floor structure is standing at the edge of the zero-point. I set up my tripod on one of the platforms below the top floor, where there are no people. Everyone is at the top trying to get the best available viewpoint.

Because of the strong haze, we are able to see the first glimpse of the red ball of fire only after it has already risen a few degrees above the horizon.

After taking a few shots I climbed down the steps, intending to get closer to the edge of the water.

As the Sun goes higher, it casts a long reflection over the melted salt of the marsh . A group of Gujarati tourists break into a dance. It is hard to make out what they are singing, might be a recent bollywood song, but I bet they are just as thrilled as me, looking at the beautiful sunrise over the White Rann.

This is part of my experiences at the Rann Utsav. If you are interested in knowing more about how Rann Utsav can be a memorable experience for you, click here.